Info for Reverie At Schloss Elmau It seems inevitable that the highly acclaimed, virtuosic pianist-composer Gwilym Simcock and multi-award winning double bassist-composer Yuri Goloubev would one day record together in a duo once their paths had crossed. That moment has come with the new recording Reverie at Schloss Elmau on the award-winning ACT label. One born in Wales, the other in Russia, most of Europe stands between them. Ikea Manuals. But in terms of their musical journeys, they appear to have been leading parallel lives.

Both were classical music prodigies and have world-class techniques on their respective instruments. Both of them were set on a lifelong career path in the concert hall, Goloubev the elder of the pair at 41, was for twelve years the principal double bassist for the Grammy-nominated Moscow Soloists, widely considered one of the most distinguished chamber ensembles in the world. As a child Simcock achieved the highest music exam grade for in the whole of the UK at just 11 years old.

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He studied piano, French horn and composition at Chetham's School of Music, before going on to study jazz piano at London's Royal Academy of Music. They first met in 2005 on a recording date with Klaus Gesing - Heartluggage (ATS 2006) and there was an instant rapport between the pair of them. They then went on to record a trio album with asaf Sirkis - 'SGS Group, Inc. Ministry Of Sound The Annual 2004 Download on this page. Presents' (2008) then on Yuri's album 'Metafore Semplici' with Klaus, Asaf and an Italian trumpet player Giovanni Falzone (Universal, 2009) plus a couple of other less significant works.

Cova Jana Rapidshare Premium on this page. In 2008 Goloubev recorded with Simcock for his second piano trio CD 'Blues Vignette' (Basho 2009). Simcock has remarked on their closeness, as to how they both have perfect pitch, “so when the music is free, it’s easy to make instant music because we both know what we’re playing at any one time.

It’s easier to second guess what’s coming next. What I like about Yuri’s playing is it’s very linear. It comes from a strong melodic background and when he plays arco it’s this incredibly rich tenor sound.” This is very much in evidence on Reverie at Schloss Elmau. Simcock has been before to the cultural retreat set in the Bavarian Alps, referred to in the album title. It was there that in 2011 he recorded his solo debut Good Days in Schloss Elmau for ACT, for which he was nominated for the high profile Mercury Music Prize in the UK. Simcock says, the opening track of the new CD, ‘Pastoral’ is, “written with the beautiful surroundings of Elmau very much in mind”. The spontaneous, ambient free-interplay between bass and piano that opens the piece is punctuated by Simcock’s deliciously mysterious theme, perhaps also a dedication to his father’s great love for Russian classical music especially Prokofiev and Stravinsky, something that rubbed off on him while growing up.