Goldfinger Radio Drama Podcasts
JAMES BOND: Doctor No by Ian Fleming. [RADIO DRAMA] Broadcaster: BBC Radio 4. Now that they’ve given us the overdue follow-up with Goldfinger. Goldfinger Radio Drama Podcasts. As musketeers, bodyguards of the royalty, it's their duty. Young D'Artagnan has come to Paris to join the musketeers. IPlayer Radio. Who fires lasers at the Moon for a living. However, unlike Goldfinger. See all podcasts for The Curious Cases of Rutherford. So what are the best fiction podcasts? Radio Drama Revival is a weekly showcase of stories post-golden age of radio drama from across the world.
July 19, 2010 By Dex Trenchcoat The focus of the Listening Post has always been modern audio drama podcasts. However, podcasts are far from the only delivery method for audio drama. American Sociological Association Code Of Ethics Handbook Download Free more. On the internet there are hundreds of streaming radio stations, some of which carry audio drama all the time, (such as ) and sometimes streaming stations only feature certain shows or certain time slots for audio drama.
For example, plays the newest episode of “” one day before its made available for podcast. In another example, Voices In The Wind Audio Theater was able to get their production, “” aired on both broadcast and streaming radio from Country 92.9 just this past Saturday. Even with all these great listening options, finding the time to listen to a show during a particular time slot can make audio drama a challenge in our increasingly “on the go” world. While you can find audio drama in the United States on satellite radio or even on NPR from time to time, exposing the general public to audio drama, just isn’t as easy as it used to be. The BBC and Broadcast Radio Drama While broadcast radio drama may be rare as hens teeth in the United States, in other countries it can be quite common and popular. In the UK for example, you can still find actual honest-to-goodness radio drama; often in prime time and sometimes with A-List talent such as Sir Ian McKellen, (of X-Men and Lord of the Rings fame) who starred in an audio adaptation of Ian Fleming’s Goldfinger which BBC 4 aired earlier this year. One would think in an environment with big name talent and the financial backing of the BBC, it would be easy to to keep radio drama on the air.
But sadly, the BBC recently announced plans to drop its Friday Play time slot. The company has stated that radio drama will remain a part of the BBC for some time to come, though one does have to wonder how long it will be before further cuts are made.
In addition to the cut backs it was also announced that the Drama department was being merged with the Documentary department, a move that some feel could potentially destroy radio drama at the BBC, in the long term. Which offered a glimpse into the contributions the BBC has made to radio drama: “ Yes, the BBC is still by far the most prolific drama broadcaster in the world, airing 649 hours this year (including readings), with a total of 200 single plays. And yes, the Friday Play represents just 3% of this and was the least popular slot (although many would argue that the quality was more consistent than that of the Afternoon Plays). Nevertheless, it remains a loss for radio drama, not a gain.“ While it would be easy to think “ This is great, here’s an opportunity for independent podcasters to fill the void and continue to grow“!
As long time followers of audio drama can attest, and the Guardian article goes on to point out, “survival is not the same as growth”. In my opinion, whatever growth podcasters of the medium experienced, it would probably not last long without the type of exposure and growth mainstream radio (broadcast in any country) can give to audio drama. “ So is radio drama dying, as Equity warned us? Not yet, not while the BBC still exists. But survival is not the same as growth, and the medium needs to make better use of digital technology. Videos, DVDs and hard-disc recording have fundamentally altered the way people consume television, especially drama. Radio plays remain very difficult to enjoy in the same way.